B.A.，Ph.D.，明尼苏达大学

最近的一些课程：100：监控文化的言论ENGL 205：两个轮子ENGL 262：现实主义墨水和Ashcan Paint Engl 190：没有狗允许：文学动物令人挑剔的200：照片/文字：多式联成

新颖文学的文学史和理论，言论，视觉文化创造性与骑自行车写作文化史

样品出版物：“图片这是：秘鲁Cuzco的跨学科旅行”（共同撰写凯尔峡谷）。作为全球学习者的教师：支持校外学习领导者的机会和战略。eds。Joan Gillespie，Lisa Jasinski和Dana Gross。杠杆按压（即将举行）。“策划混乱”，从事Jane Austen的年龄：公共人文在实践中。eds。Bridget Draxler和Danielle Spratt。爱荷华州（Iowa City）：2018年的Iowa P。（第118-119页）“拍摄绘画景观：Silas Lapham的崛起中的照片Ekphrasis，”十九世纪的上下文39.3（2017年7月）：213-233。“历史小说的巧合：9/11后的”代码橙“阅读。” Radical Planes: Refiguring Crisis and Continuity in Post-9/11 Literature. Eds. Birgit Dawes and Dunja Mohr. AmsterdamLeiden: Brill Rodopi, 2016. (pp. 38-55) “Map My Ride: Scaling Frank Norris’s The Octopus by Bicycle,” Studies in American Naturalism9.2 (Winter 2014): 173-197. “A Florentine Great, No Lines: The Bartali Museum,” The Florentine. May 8, 2014. http://www.theflorentine.net/lifestyle/2014/05/a-florentine-great-no-lines/ “Real Planes and Imaginary Towers: Philip Roth’s The Plot Against America as 9/11 Prosthesis,” Literature After 9/11. Eds. Keniston and Quinn. Routledge, New York, 2008. (pp. 246-260) “Babbled Slander Where the Paler Shades Dwell: Reading Race in The Great Gatsby and Passing,” LIT: Literature, Interpretation, Theory 18.2 (April-June 2007): 173-191. “Desire and Indifference in Sister Carrie: Neoclassical Economic Anticipations,” Dreiser Studies. 29.1-2 (Spring/Fall 1998): 18-33. “Topographies of Computer Access Outside the Composition Classroom,” Computers and Composition: An International Journal for Teachers of Writing14.2 (1997): 269-278. (With Thomas Reynolds). (Special Issue national award winner at Composition and Computers Conference.) “The Ironic Romance of New Historicism: The Scarlet Letter and Beloved Standing In Side by Side,” Arizona Quarterly51.1 (Spring 1995): 33-60. “An Interview with Robert Stone,” Salmagundi108 (Fall 1995): 119-139. (With David Pink). A Coincidence of Wants: The Novel and Neoclassical Economics. New York: Garland, 2000.